西小西|xixiaoxi.com

首先，感谢google对我的批评！
我在google申请AD已经失败两次啦。继续！
我接受批评不是为了别的，是为了网站的健康发展。就像帖子里说的，如果大家都是转来转去的，没有原创，网站就是个垃圾站。当然垃圾站也可以赚钱，但我是为了写博客，精神财富！嘿嘿！你说呢？饿高兴~饿就是高兴~
我打算建立wordpress镜像网站，目前还找不到攻略，没关系，自己慢慢学习。
我以后会有一篇文章叫“wordpress镜像网站攻略”。
目前，本站
http://www.xixiaoxi.com/
的镜像网站计划有两个
http://www1.xixiaoxi.com/
http://www2.xixiaoxi.com/虽然www2已经可以访问，但还不是严格意义上的wordpress镜像网站，因为他没有独立的数据库。
待续！

《我的团长我的团》43集全DVD下载地址

我的团长我的团下载地址

http://www.verycd.com/topics/2735277/

【我的团长我的团剧情简介】：
　　时间回转到1942年，中国大地正深陷于抗日战争的苦难之中，各地军民的反抗斗争进行得如火如荼之际……
（更多…）

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01. Silence Followed By A Deafening Roar
02. Eudaimonia Overture
03. The Rhino
04. Norwegian Cowbell
05. I Cannot Tell A Lie
06. Bronx 1971
07. Suite Modale
08. The Gargoyle
09. I Still Have That Other Girl
10. Bultaco Saturno
11. Paul vs. Godzilla

专辑介绍：

著名金属速弹大师Paul Gilbert2008年的新专辑，与其前几张专辑相比出色许多。Paul在这张专辑中，将自己擅长的古典以及布鲁斯融入到较以往更流畅的速弹旋律中，每首曲子都一气呵成。整体来看，我认为本张专辑在近几年的同类专辑中可以算是是佼佼者！

乐手介绍：

1966年11月6日，一位摇滚吉他未来之星诞生在美国伊利诺州(Illinois) 的卡文戴 (Carvendine)，他就是 Paul Gilbert。

从小受到 Jimi Hendrix 的影响疯狂的爱上音乐，当Paul还是个高中生的时候，他参加了在洛杉矶举行的全美吉他大赛 (L.A. Guitar Wars)，击败数百位对手拿下冠军，震惊了全美的摇滚吉他界，从此之后受到摇滚乐坛瞩目，这时他进入位于好莱的音乐专业学院(MI)，在吉他学系中 (GIT) 闭关苦练更上层楼。 1984年当时的Paul是GIT最年轻的学生，却以第一名的成绩完成他的学业，之后继续留在母校MI任教，1985年，Paul Gilbert、Harry Gschoesser、Jeff Martin、John Alderete，组成最早的Racer X。于1986年发表了处女作”Street Lethal”，其中”Frenzy”一曲，正是Paul Gilbert 16岁那年拿下吉他大赛冠军的招牌曲。1987年另一位GIT高材生Bruce Bouillet加入Racer X，使得乐团的曲风更加华丽饱满。Bruce和Paul以双吉他搭配演出，将吉他合声与速弹表现的完美无暇，Scarified这首演奏曲更成为速度金属中的经典之作。这个时候Paul更获邀请担任美国权威吉他杂志Guitar World及Guitar Player的客座讲师。之后在GIT系主任Frank Gambale的领导下，Paul Gilbert 和Gary Hoey、Neil Zaza、Paul Hanson四位吉他好手并列GIT四大讲师，而Paul也连续好几年被日本Young Guitar杂志票选为最佳吉他手。Paul在1989年加入了摇滚歌手Eric Martin所组的Mr. Big，和贝斯魔皇Billy Sheehan共同为这个美式硬摇滚乐团写下十年的辉煌历史，1998年 Paul Gilbert 再度单飞，除了再度召集Racer X原班人马，也展开个人演艺生涯，2003年初发表首张个人不插电作品”Gilbert Hotel”和精选集”Paul The Young Dude”，2003年底发表”Acoustic Samurai”，收录他在日本Hard Rock Cafe的不插电演出实况。2005年5月收录十四首新曲的最新专辑”Spaceship One”发表，精湛的吉他表现让人叹为观止，Paul 不但琴艺一流、歌声也是一级棒。paul gilbert被国际音乐界称为”音速吉他手”，paul gilbert以他出神入化的个人吉他技巧以及在音乐上独特的感觉得到了全世界摇滚乐迷的肯定和喜爱。

Buckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament-Funkadelic birthed their bevy of cosmic characters in the mid-’70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar, Buckethead is one of the instrument’s most recognizable contemporary innovators, his rapid-fire riffing, near-robotic fretwork, and idiosyncratic lead lines combining elements of Yngwie Malmsteen, Adrian Belew, Slayer’s Kerry King, P-Funk’s Eddie Hazel, and avant-improv artist John Zorn’s Scud-attack sax abuse. His first group, the San Francisco-based metal-funk combine the Deli Creeps, were a regional success, but disbanded before they could release anything. Buckethead’s solo career has been more productive, thanks mostly to the motivation of Zorn and Bill Laswell, the latter of whom Buckethead has also recorded and toured with in Praxis. Laswell has also produced a number of Buckethead’s solo albums (including Dreamatorium and Day of the Robot) and included him on more than a dozen one-off recordings with the likes of Hakim Bey, Bootsy Collins, Anton Fier, Jonas Hellborg, and Bernie Worrell. In addition to releases including 1998’s Colma, Buckethead has also contributed soundtrack material to such films as Last Action Hero and Street Fighter. Buckethead returned in 1999 with Monsters and Robots, after which he joined the short-lived reformation of Guns N’Roses. A steady stream of releases followed into the 21st century ranging from the contemplative Electric Tears to more electronica/rock hybrid, and collaborations with San Francisco’s underground hip-hop scene.